The articles in Third Update on Adult Learning Theory
are rich with learning theories, and I’m still trying to unpack all the
meanings and implications presented. All of the articles were enlightening, but
the article that piqued my interest the most was “Narrative Learning in
Adulthood” by M. Carolyn Clark and Marsha Rossiter. The narrative theory the
article describes rings true for my own personal experience. The idea that
people construct their identities and reality based on storytelling is
incredibly compelling. I often find
myself reassessing my identity through constructing “stories” about my past and
its effects on my present. Of course, before reading this article, I wouldn’t have
called them stories at all. My friends and family also engage in storytelling
as a way of labeling people or situations through gossiping. I would like to do
more research in this area because it seems so very true.
I’ve also experienced narrative
learning. Some of the classes I’ve found most memorable were ones where
storytelling was utilized as a primary teaching technique. For example, my high
school A.P American History class always felt like a particularly informative
soap opera where the setting was the past and the actors were historical
figures. The side stories my teacher told us gave the dry facts in the textbook
life and cut the sense of detachment the printed text fostered. The article
gave three methods on how to incorporate narrative learning into a course: learning
journals, concept-focused autobiography, and instructional case studies. I
haven’t had much experience with the latter one, but learning journals have
been a powerful tool for me, and my Linguistic Autobiography allowed me to
really delve into a concept and connect the concept to myself.
Raquel, I believe that many people gain insights from reading or hearing a narrative more than from reading or hearing exposition, and that narration helps us to recall what we heard or read. It is also true that people love stories. And a "story" can take different forms and lengths. Sometimes something we not easily identify as "story" actually does have most of the elements of a story.
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